Omise’eke Tinsley is Professor of Black Studies. Motivated by love for boundless black femme creativity, her research focuses on queer and feminist, Caribbean and African American performance and literature. She recently completed a manuscript entitled The Color Pynk: Black Femme-inist Love and Criticism, which explores black femme aesthetics of resistance in the Trump era. Earlier monographs include Beyoncé in Formation: Remixing Black Feminism (2018); Ezili’s Mirrors: Black Queer Genders and the Work of the Imagination (2018), winner of the 2019 Barbara Christian Prize in Caribbean Studies; and Thiefing Sugar: Eroticism Between Women in Caribbean Literature (2010). She has published articles in journals including GLQ, Feminist Studies, Yale French Studies, and Small Axe and is a contributor to Time, Ebony, The Advocate, and Huffington Post.